There's no chance that the iPhone is going to get any significant market share. No chance. It's a $500 subsidized item. They may make a lot of money. But if you actually take a look at the 1.3 billion phones that get sold, I'd prefer to have our software in 60% or 70% or 80% of them, than I would to have 2% or 3%, which is what Apple might get.In a video interview, he said essentially the same thing, concluding, “Let's see how the competition goes.” That seven years ago. From a report on mobile devices released today: And that's for enterprise, traditionally a market dominated by Microsoft. In the video interview, Ballmer said it wouldn't appeal to business customers “because it doesn't have a keyboard, which makes it not a very good email machine.” Poor Ballmer; you've got this other Steve, Steve Jobs, who now is secure in his reputation as a tech visionary, while Ballmer's claim to fame will probably be as “Monkey Boy.”
In a television broadcast, German politicians said members in the Bundestag — Germany’s parliament — are strongly considering dropping email altogether, opting for typewriters and penned notes to prevent the United States’ National Security Agency from eavesdropping, the Guardian reported Tuesday. Russian government officials also said last week they were reverting to paper communications. The FSO, an agency that protects the Kremlin government and other top officials, has already ordered nearly two dozen typewriters, according to USA Today. “Any information can be taken from computers,” former head of Russia’s Federal Security Service, the domestic successor the KGB, Nikolai Kovalev, told Izvestia. “[F]rom the point of view of keeping secrets, the most primitive method is preferred: a human hand with a pen or a typewriter.”Seriously? Nobody ever heard that computers and even entire LANs can be disconnected from the Internet?
There are several problems, the greatest of which is that right now, solar is not immediately cheaper than other kinds of energy; instead, it is an investment. Pay a lot today in order to save even more over time. But over the long run, it is cheaper. The problem there is that most people don't act on the long run. They see the sticker shock today and think, maybe later. Another problem is that solar has been ridiculed. Are you some California elitist liberal who thinks solar is the bee's knees and love it just as much as your Whole Foods organic products and your New Age aromatherapy treatments? Har! What a dumb hippie you are! Didn't you hear about Solyndra? To dip briefly into conspiracy-theory possibilities, one could easily imagine this being opposed by the powers that be because it is essentially home-grown energy. Beyond the panels, no corporation can control the sunlight collected or trade on its future cost. That severely limits the profit-taking. Screw the fact that it is incredibly more friendly to the environment, infinitely more safe than oil, coal, or nuclear, and that it will cost billions less in terms of clean-ups in the future. If it can't be controlled to yield hundreds of billions in profits, then what good is it? This bias is evident in other ways. Often laws made in the shadow of energy lobbying even discourage solar:
The experience of Orrin Kohon, a Los Angeles resident with a second home in Hawaii, reflects the hurdles facing consumers hoping to join the rooftop movement. If all goes well, Kohon will soon receive local government approval to let workers mount an $18,000 leased solar power system on the roof of his Honolulu house. Monthly electric bills for his modest 1,750-square-foot abode run about $400—at 32.6¢ per kilowatt hour, the highest in the nation. With his rooftop system, installed by a third-party contractor, he’ll generate enough of his own power to lower that rate to 7.3¢ per kilowatt hour for the next 20 years. That’s a savings, he says, of $120,000 over that period. “It’s a hedge, like locking in $2-a-gallon gasoline,” says the 63-year-old owner of a Los Angeles career counseling service. “The thing is, I have to act now. If too many of my neighbors beat me to the punch, I won’t be able to connect.” That’s because thousands of Hawaii residents have also realized that even the most elaborate systems, costing up to $55,000, can pay for themselves in as little as four years given current power rates and state and federal incentives that chop up to two-thirds off the installation price. This rooftop stampede is overwhelming the permit process—70 percent of all current permit applications in the state are for solar installations—and causing utilities to impose moratoriums in some areas on how much solar they are willing to accept to their power grids. The rule of thumb had been that once rooftop installations made up 15 percent of the power on a given circuit, utilities could stay new connections until residents undertook an engineering study—costing as much as $50,000—that showed their addition wouldn’t destabilize the power grid. While that rule has been eased to 25 percent in Hawaii, the extra burden on consumers explains why “there are places on Maui where the saturation is such that we don’t even solicit for business there,” says Alex Tiller, chief executive officer of Sunetric, a Hawaii-based rooftop solar power installer. The hidden costs of obtaining permits and regulators’ approval to install rooftop panels is a big reason the U.S. lags behind Germany, which leads the world in rooftop installations, with more than 1 million. The price of installed rooftop solar in Germany has fallen to $2.24 per watt. In fact, on a sunny day in May, rooftop provided all of Germany’s power needs for two hours. “This is a country on latitude with Maine,” says Dennis Wilson, president of the Mid-Atlantic Solar Energy Industries Association, a solar-installer trade group. “Germany is showing us what’s possible—if we can just get our act together.”Oil, gas, coal, and nuclear utilities have to be told in no uncertain terms to step aside. They have had their run; if it is too hard for them to operate with competition, then they are no use to us. Let them close down and the government will pick up operations until enough solar is installed to shrink them into networking and backup operations. It is time for solar. We have to commit, and commit big.
The state of California can now add people who post naked photos of their former partners to its criminally overcrowded prisons if they do so without permission and with the intent to cause emotional distress or humiliation.It seems to me that this comment is wholly unnecessary. If the prisons are overcrowded, we should not put people there who have committed awful crimes? And yes, revenge porn is that sort of crime. Not nearly as bad as rape, but definitely in the same category. I am perfectly OK sending such people to jail. She then gapes in puzzlement that the law would do more:
Proposed legislation in New York would actually widen to the ban to include photos victims take of themselves.Yes, that's right. Just because someone took a selfie does not make it any better when the jilted boyfriend publishes it on the Internet. Why should it? But that's not Reisenwitz's main objection.
While well-intentioned, this kind of legislation is over-broad, poses serious free-speech threats and may not even be necessary going forward. The first thing it's important to keep in mind is that revenge porn laws criminalize speech.Huhwhat?
As the ACLU has discussed, such laws can be used to censor photos with political importance. As Jess Rem pointed out for Reason magazine, people such as Jeff Hermes, Director of the Digital Media Law Project at Harvard, share this concern about the law. Hermes has stated that revenge porn laws could have kept former New York Rep. Anthony Weiner's (D) nude selfies legally suppressed.Uh yeah, no. Aside from the less significant but still relevant points that (1) it is arguable that politicians' personal sexual peccadilloes are really newsworthy, and (2) relevant parts of the photos can be blacked out or pixellated in the case that context is somehow deemed necessary, there are two reasons why this is not an issue. First, it is not necessary to show the image in order to report on the story. Even if a story about a politician sexting someone is not gratuitous in and of itself, the photos certainly are. I would not deem it a great threat to free speech if the media were limited to only telling us about Weiner's selfies rather than showing us the images. And second, no journalist would ever be prosecuted for revenge porn that did not specifically involve them. To make the person who released them liable is not something that affects freedom of the press, any more than outlawing the release of classified documents did in cases like Edward Snowden's. Not to mention that these laws often include language that specifies the offender must have “intent to cause emotional distress or humiliation.” If someone releases photos of a politician in a state of undress, it could be for the purpose of revenge—but the claim could very easily be made that it was for the purpose of informing the public, thus making even the person releasing the images safe from prosecution. In fact, the laws may not be strong enough. People wishing to release these images will probably find loopholes, like having a third party post the images on the Internet. If sharing the photos with a private third party is not illegal, and if the third party has no cause for humiliating the victim, then probably no case could be made. Reisenwitz suggests, however, that there is enough legal protection without the new laws:
Civil lawsuits have always been available to victims. Late last year a Texas judge ordered an 'indefinite' lock on revenge porn site PinkMeth.com as Shelby Conklin sought “punitive damages of more than $1 million for intrusion on seclusion, public disclosure of private facts, appropriation of her name and likeness and intentional infliction of emotional distress.” The case was eventually settled, and the offenders paid restitution instead of serving time in jail. This is just one example of the many successful lawsuits by victims of revenge porn. Before the law, there were already at least seven different kinds of laws revenge porn could have violated, depending on the circumstances. They include but are not limited to laws dealing with extortion and blackmail, child pornography, invasion of privacy, copyright infringement, voyeurism, intent and violation of the Consumer Protection Act.The first example Reisenwitz cites is clearly inapplicable. It was against the revenge porn site, not the person releasing the images. You don't even need revenge porn sites to release such photos, and sites not intended for such photos could claim they had no idea of the photos' origins. Also, many of the charges dealt with commercial distribution, something that would not apply to an individual posting to a porn forum. Not to mention that many such sites will not be within the courts' jurisdictions, or that any victim making such a case will become a huge target for similar sites and their supporters. The other laws? Extortion and blackmail laws would only apply if the jilted party made such threats, which is probably very rare. Child pornography would apply only in limited cases. I'm not a lawyer, but I would think citing invasion of privacy is pretty weak—people are not penalized for spreading personal information about exes, and the fact that the photos were consensual probably negates this as a possible legal avenue. Copyright infringement could apply to selfies, but not to images taken by the perpetrator—and it would be pretty difficult to assess financial damage if you had no intent to sell the images yourself, and the perpetrator did not profit themselves. Voyeurism is laughable in this context. As for the Consumer Protection Act, it relates to commercial profit, again not applicable to the individuals. It's pretty clear that these laws are insufficient. Mitchell Matorin has a much more detailed rundown. No, the law is not worse than the crime. Not in the least. And frankly, laws against privacy infringement are far, far too weak in this country. As with all forms of intellectual property and information in general, we are in a new age, and the laws are too far behind. These new laws are not inappropriate, and in fact, we need a lot more regulating how information is collected, disseminated, and bartered. Balking at making revenge porn illegal is, if anything, a frightening step in the wrong direction.
The man drew the gun several times on the crowded San Francisco commuter train, with surveillance video showing him pointing it across the aisle without anyone noticing and then putting it back against his side, according to authorities. The other passengers were so absorbed in their phones and tablets they didn't notice the gunman until he randomly shot and killed a university student, authorities said. … “These weren't concealed movements -- the gun is very clear,” District Attorney George Gascon said. “These people are in very close proximity with him, and nobody sees this. They're just so engrossed, texting and reading and whatnot. They're completely oblivious of their surroundings.”In a case such as this, of course it seems horrifying that a gunman who would eventually shoot someone would go unnoticed (although how the situation would have been improved if anyone had noticed is not exactly made clear). However, there is also a clear judgment being made here: that it is a bad thing, perhaps irresponsible, negligent, or asocial, to be engrossed in a technological device in a public place. This is one of those time I have to roll my eyes and sigh out loud. The context here is riding a train for long periods of time, something I do on a daily basis. Without some kind of diversion, you are just sitting there looking at nothing. 99.9% of the time, nothing is happening. People are just sitting and standing. This is not a social situation. No one is interacting—nor do people want it to be that way; you're mostly surrounded by strangers, and people get annoyed when there is too much active talking. As a result, you mostly get people being there, silent, like they would be in an elevator. However, in an elevator, you're just there for a minute, not an hour. What are you supposed to do, remain quietly observant and vigilant in case someone brandishes a gun? The clear implication is not only were people “oblivious” to their surroundings, they were pathetically or irresponsibly detached because they were engrossed in electronic devices. This has become somewhat of a popular complaint for some time now. It stems from the idea that if people engage in some new portable personal entertainment, in particular of an electronic nature, while in public, it is assumed to be impolite, like you are shutting yourself off from others. I have never respected that complaint. It's as if the one complaining expects everyone else in public to pay attention to them. Why? Sure, if someone keeps bumping into other people or causes some kind of damage, that would be different. But that's regarding something that occupies your visual attention while moving or operating a vehicle. That's a legitimate concern, and I fully agree with laws about texting while driving. Or if there is a social event where a person attending is supposed to be paying attention to others—a party, a meeting, even just a conversation—then yes, it's asocial to instead be absorbed in something else. However, that's not what we're talking about here. Train passengers are not driving the vehicle. Someone sitting alone in public, in a park, at a coffee shop, at a bus stop—these people are not expected to be engaged with anyone else. So, how is it asocial or in any way wrong for these people to occupy themselves? But that's not the only point here—it's not just occupying yourself, it's doing it with some new device. Remember complaints some time back when Walkmans first came out? Same thing now. It's the same scorn for technology that even still generates fear of crime on the Internet when the same crimes could just as easily happen in any other context. Consider how different the reaction would be if people on the train with the gunman were reading books or engaged in conversation with someone they were traveling with. Would there be the same level of disdain, the same feeling of contempt? Almost certainly not. There would be more of a sense of shared horror, a feeling of sympathy rather than condescension. Like nobody in a movie theater noticing someone in the back row brandishing an Uzi, or no one in a library noticing the someone walking by carrying a handgun. It would be considered more proper. But entertain yourself in public? With an electronic device? Of course not. You should be happy to ride a train for long periods of time with nothing to do. Jerk.
Speaking at the Morgan Stanley Technology Conference, Time Warner Cable's Chief Financial Officer Irene Esteves seemed dismissive of the impact Google Fiber is having on consumers. “We're in the business of delivering what consumers want, and to stay a little ahead of what we think they will want,” she said when asked about the breakneck internet speeds delivered by Google's young Kansas City network. “We just don't see the need of delivering that to consumers.” Esteves seems to think business customers are more likely to need that level of throughput, and notes that Time Warner Cable is already competitive .In case you didn't notice the stench, that's all a pile of something well-digested and fetid. Wired nails it on the head:
Experts believe that this reluctance has less to do with a lack of customer demand and more to do with protecting high margin broadband businesses. Companies like Time Warner Cable make around a 97 percent profit on existing services, Bernstein Research analyst Craig Moffet told the MIT Technology Review this month. But Verizon is more interested in wireless broadband, on which it can make an “absolute killing,” by charging per gigabyte for usage, broadband industry watcher and DSL Reports editor Karl Bode told Wired earlier this year.In other words, rather than spending money on high-speed networks due to customer demand, telecoms are instead cashing in on the least they can offer while charging ahead on technologies which offer the highest profit margins—and since they move in lockstep with little or no real competition, customers get no say in the matter. Telecoms are like any other corporation: get as much money by any means necessary. In the early 1990's, a variety of telecoms successfully lobbied states to get them to drop regulation limiting their profits on services that were, effectively, monopolies. In exchange, the telecoms promised delivery of near-universal 45 Mbps fiber-optic broadband throughout these states by deadlines ranging from the 90's to 2015. Most states agreed, leading to hundreds of billions in extra profits for the telecoms—who soon after this killed most of their fiber-optic programs. The extra profits the telecoms have made over the past 20 years from the rate hikes they were allowed could have paid for nationwide broadband. Do we have that? Not even close. And now these same companies are saying it won't come because we don't want it. Specifically, “We just don't see the need of delivering that to consumers.” Of course not. If they can charge $100 a month for 15 or even 5 Mbps in so many locations, who would want to spend all that gravy on new networks instead of simply running off with the cash? These same profit-rich corporations are instead whining about how they don't get to invalidate Net Neutrality and charge even more, once again claiming that they need to charge more so they'll be able to invest in broadband—the exact same shell game they played on us before. Meanwhile, they reveal that they have no intention of truly improving their networks to the extent people want and need. No, consumers don't want Steam to be able to deliver HD games quickly. They don't want high quality video conferencing. But most importantly, consumers do not want, under any circumstances, Apple or Hulu or Netflix or Amazon to deliver 1080p video over Internet. Because that would threaten the cable contracts many of the ISPs enjoy with millions of American households, leading to a la carte video services that could be cheaper and more convenient than the crap delivered now. No, consumers don't want that. Comcast in California does offer 105 Mbps speeds in major cities… for $110 a month, if you commit to long-term service ($200 a month if not). If you don't live in a major city in most states, you could pay that much for 30 Mbps. Here in Tokyo, KDDI offers Gigabit Internet for $60 a month. I know it's not as expensive to wire up Japan as it is America, but you would think that at least in major Californian cities it would not be double the price for 1/10th the speed… essentially 20 times more expensive for equivalent services... after 20 years of overcharging for enough to pay for it all and then some.
Another Telecom Attack on Network Neutrality to Grab Profits and Suppress Free Speech—International Edition
“The brutal truth is that the internet remains largely [the] rich world's privilege, ” said Dr Hamadoun Toure, secretary-general of the UN's International Telecommunications Union, ahead of the meeting. “ITU wants to change that.”The people running the show claim they're not doing any harm:
Gary Fowlie, head of ITU liaison Office to the United Nations, insisted in a phone interview that his organization's effort to revise outdated telecom rules is not an attempt to change the way the Internet is governed. “This whole idea there would be some kind of restriction on freedom of expression, it just doesn't fly with what the ITU has stood for,” he said, stressing that as a U.N. entity, the ITU is bound to uphold Article 19 of the Universal Declaration of Human Rights, which guarantees the right to free expression through any media.Sounds great, until you realize that “ITU” stands for “International Telecommunication Union.” That right away should be a giveaway. The next hint:
But the [ITU] said action was needed to ensure investment in infrastructure to help more people access the net.Red flag time! Hear those alarm bells and sirens going off? Any of this sound familiar? “We want to help people get access to the Internet. That requires infrastructure.” This is the inevitable preface to the next statement: “We need money to do that. Let's talk about how we can make more money.” And thus we arrive at the actual motive behind the lobbying, and upon closer inspection, find the justifications to be specious. Yep. It's just like when the U.S. Telecoms tried to gang up and buy their way to Internet ownership in the U.S. Virtually nothing is different: the telecoms are whining about how they're losing so much money because of the big, bad Internet:
Some telecommunications companies are looking at WCIT as an opportunity to address the business reality that new technologies are severely eroding traditional revenues from old-style voice calls. Customers are no longer making phone calls as they once did, and are instead using an application layer on the Internet to carry voice and video. Landline services are increasingly being replaced with mobile communications services that are themselves increasingly being used to provide data connectivity. Beyond voice, the companies argue that large content providers are making revenue from customers’ access to those services over their Internet connections. So these companies see this treaty as a way to “re-balance” revenue streams between carriers and “over-the-top” providers. Claiming that regulatory help is needed to ensure the ongoing investment in the Internet’s infrastructure, they have dusted off an old concept known in telecom circles as “sending network pays.” On its face, the idea is simple: The network or ISP of the sending party should pay for the delivery of their traffic (just as with cross-border telephone calls).That's the same bullshit argument made by the U.S. telecoms, the billionaire's cry of poverty. “We're losing revenue from people using Skype instead of making international phone calls, so we need to make up the money somewhere else.” What a complete load of crap. As if these people are not making huge profits on all-new revenue streams in several different areas, many of which derive specifically from the Internet usage they now claim cannibalizes their revenues. Let's see. I pay for my Internet connection—a monthly fee which easily exceeds, by quite a bit, what I used to pay for my traditional land line. I also pay for cell phone use—in fact, I pay, in a way, for no fewer than three different Internet connections, one the aforementioned home connection, and two more times for the data plans for my wife's and my own cell phone plans. Each of which costs about the same. Repeat this throughout the entire world, and you begin to understand that the telecoms have never had it better. If they want to cry poverty, I demand they first cough up their balance sheets for close inspection. Because I will bet you quite a bit that their profit line is probably not very far behind Big Oil and Big Pharma. Once again, they try to make it all sound more palatable by saying they are going after big corporations:
One of the other concerns raised is that the conference could result in popular websites having to pay a fee to send data along telecom operators' networks. The European Telecommunications Network Operators' Association (Etno) - which represents companies such as Orange, Telefonica and Deutsche Telekom - has been lobbying governments to introduce what it calls a “quality based” model. This would see firms face charges if they wanted to ensure streamed video and other quality-critical content download without the risk of problems such as jerky images. Etno says a new business model is needed to provide service providers with the “incentive to invest in network infrastructure”.Again, the same bullshit argument they made in the U.S. 6 years ago. And it's still full of crap. They already have all the incentive they need to expand infrastructure. They already have huge profits. The content providers who send bandwidth-intensive content already pay for sending this data, as do the users who consume it. And we have seen before when Telecoms make promises to expand infrastructure in exchange for the ability to charge more, and they never do what they promise. What they really want here is virtual ownership of the Internet. They want to be able to wring every last penny, yen, pound, and deutschmark that they possibly can by charging for something, then charging for it again, and then charging someone else for the same thing as many times as they can manage. Piggybacking this wave are governments scared shitless over the freedom of expression the Internet represents and the threat this is to their control over their populaces, a fact that has not gone unnoticed by people who know the Internet better than anyone—like Vint Cerf, co-creator of the TCP/IP protocol and regarded as one of the “fathers of the Internet,” who wrote this message of warning:
Today, this free and open net is under threat. Some 42 countries filter and censor content out of the 72 studied by the Open Net Initiative. This doesn't even count serial offenders such as North Korea and Cuba. Over the past two years, Freedom House says governments have enacted 19 new laws threatening online free expression. Some of these governments are trying to use a closed-door meeting of The International Telecommunication Union that opens on December 3 in Dubai to further their repressive agendas. Accustomed to media control, these governments fear losing it to the open internet. They worry about the spread of unwanted ideas. They are angry that people might use the internet to criticize their governments. The ITU is bringing together regulators from around the world to renegotiate a decades-old treaty that was focused on basic telecommunications, not the internet. Some proposals leaked to the WICITLeaks website from participating states could permit governments to justify censorship of legitimate speech -- or even justify cutting off internet access by reference to amendments to the International Telecommunications Regulations (ITRs).Cerf then urges us to remain vigilant against those in power corrupting one of the most invaluable advances in communications and freedom of expression in human history:
A state-controlled system of regulation is not only unnecessary, it would almost invariably raise costs and prices and interfere with the rapid and organic growth of the internet we have seen since its commercial emergence in the 1990s. The net's future is far from assured and history offers much warning. Within a few decades of Gutenberg's creation, princes and priests moved to restrict the right to print books. History is rife with examples of governments taking actions to “protect” their citizens from harm by controlling access to information and inhibiting freedom of expression and other freedoms outlined in The Universal Declaration of Human Rights. We must make sure, collectively, that the internet avoids a similar fate.Indeed. Let me reiterate something I feel is very important: the Internet is the single most important advancement in communications technology in the history of the human race. More important than the printing press, more important than radio and television. Why? Because the Internet is the first human technology which allows worldwide dissemination of speech and ideas which is not controlled by the wealthy. Before the Internet, if you wanted to speak beyond the reach of your own voice, if you wanted to deliver an idea beyond just the few people you have contact with, if you wanted to speak to more people than you could gather in a local public place—you had to beg at the feet of the Gatekeepers. The Gatekeepers are the ones who used to control communication. They are the publishers and the regulators. They are the wealthy and empowered who controlled all means of publishing content. Want to write a book? Not unless we say so, and thanks, we'll keep almost all the profits for ourselves. Want to speak over a network? Not unless you can make us big profits, or lend a popular or sympathetic face and voice to opinions we wish to propagate. Much of this was justified by the expense of said networks. Publishing books and building broadcasting networks isn't cheap, and the available resources were few. So there was not much complaint about the lack of freedom to communicate. However, the Internet changed all that. This blog can be accessed worldwide—and I don't have to pay much to publish it. I can write almost anything I want, within reasonable law, and within seconds, people in Luxembourg, Hong Kong, Malaysia, and Israel can read it. I pay about $10 a year for the domain name, and maybe $100 a year for hosting; I could get cheaper pricing than that, or I could pay nothing and instead have a blog hosted by Wordpress or some other blogging service. This ability to speak to the world has never before existed. That is a greatly unappreciated fact of the Internet: how it has opened the doors to potentially anyone in the world communicating with a large portion of humanity, openly, freely, instantly, and (usually) cheaply. A freedom and availability that would be threatened if the ITU got what they wanted. So pay no mind to the weeping billionaires and multinationals, or the angry dictators fearful of losing control. Disregard the claims of the super-rich telecoms crying poverty and claiming they only want to give fiber-optic to children in Africa. Ignore the claims of sock puppets for dictators that no one is trying to squelch freedom of expression. Recognize these for the obfuscation, distortions, and lies that they are. And whenever possible, write to your legislatures: give the Internet to the Telecoms, we will vote you out. Threaten free speech over the Internet, and we will overthrow you. We have only just received this freedom, and we refuse to surrender it.
[T]here is good reason, argues Philip Hensher, for such a paradoxical evaluation of our handwritten style: “We have surrendered our handwriting for something more mechanical, less distinctively human, less telling about ourselves and less present in our moments of the highest happiness and the deepest emotion,” he writes, while simultaneously recognising that “if someone we knew died, I think most of us would still write our letters of condolences on paper, with a pen.” Hensher’s new book The Missing Ink: The Lost Art of Handwriting (And Why it Still Matters), rests on the argument that “ink runs in our veins, and tells the world what we are like”. Handwriting “registers our individuality, and the mark which our culture has made on us. It has been seen as the unknowing key to our souls and our innermost nature. It has been regarded as a sign of our health as a society, of our intelligence, and as an object of simplicity, grace, fantasy and beauty in its own right.”I beg to differ. Handwriting is given status primarily because it was used for such a long time, and that was out of necessity, not preference. In that sense, it is like people preferring paper books over electronic media. As the modern alternatives push aside the old, those who prefer what they grew up with have a tendency to create ornate rationales as to why their outdated ways are superior, and bemoan their passing. I recall one person making similar claims about ebooks, saying that they lacked the “permanence” of books, in that electronic media is alterable. As if people often go about altering ebooks they read, or that it is impossible to alter printed material by reprinting it. The fact is, handwriting is much more a chore than it is an art for most people. It can take years to learn and perfect, and many people never master it. And what art it may possess only exists because human beings have so imbued it. However, this art can be instilled far more effectively by the choice of phrasing than by the fact that it comes a little more directly from your hand. Handwriting discriminates. It can be brilliant, artistic, illuminating— but only if you are skilled at it. Those who cannot master it as well are severely set back if handwriting is the only means of written communication. Their words, with value by themselves, are muddied by a discriminatory medium. Yes, the mastery of language use can also be discriminating—however, language use is at least necessary to communication. Handwriting is not. Handwriting can also be a barrier to communication; no doubt you have encountered undecipherable scribbles, and have heard the almost clichéd stories of doctors' unreadable scrawls. Instead of demanding that doctors learn penmanship, I would rather they spend more time learning how to be doctors, and use a keyboard to enter prescriptions. Handwriting is the fashion industry of written communication: it is a superfluous and superficial art which can be expressive, but takes itself way too seriously. Just as the person who inhabits the outfit is far more important than the clothes themselves, the words and their meaning are what truly matter, the handwriting in which they are expressed being nothing but a decoration in comparison. And beneath the words, our feelings, choices and intent. Hensher's conceit about expressing emotion is ill-considered, with the use of language itself towering over a lilt or a flourish of the pen. The worst handwriting in the world could be possessed by the most compassionate heart, articulating the most poignant or noble message. Handwriting can add a flair, but it can also rob us of expressiveness. What it comes down to is the fact that the words, and the meanings they convey, constitute the soul of writing. Handwriting, in contrast, is almost frivolous. It is, in a sense, skin deep. Handwriting can add beauty, but barely any meaning. The great deal of time learning it can be better spent in other endeavors. Such as learning how to use words to express yourself—something that schools, ironically, have sometimes spent less time teaching kids than they have teaching them penmanship. And what meaning it does add can be matched by fonts—perhaps even outmatched. Presidents and marketers alike choose fonts with great care to express their messages. Obama chose “Gotham,” a font reminiscent of city buildings, to express a sense of civil service, of community, of utility. Gotham is also sans-serif, a font category that implies a message of importance. His opponent in 2008, John McCain, chose Optima, a font associated with military service via its use in the Vietnam Memorial; this font was coupled with the use of a beveled nautical star, also with military connotations. Ironically—or perhaps not so—Optima is a “centrist” font, a sans-serif typeface which has hints of serifs. Romney, in the meantime, seems to have chosen a muddle of fonts which do not appear to have meaning directly relevant to his campaign—something telling to a designer. (Mitt's team also seem to have forgotten that many fonts are not public domain.) Each font has its meanings and associations. For example, I have done a good deal of hiring, and have found, in hindsight, that people who interviewed and later performed very well often had used Garamond as the primary typeface for their resumes. A humble yet elegant font, most people have it but almost never use it, and are unaware of how beautiful it can make a document look when used correctly. Here's the thing, though: with fonts, one can express a broad variety of associated meanings. With handwriting, you are more or less stuck with one style. While fonts can be easily learned and applied, handwriting takes great effort and practice, and yet is more limited in its ability to express specific messages. Fonts are a great equalizer. They allow anyone to express through written language what only some can achieve by hand. Hensher's implication that typography is “less human” is nothing but self-important hogwash. It's like suggesting that one's appearance is mechanistic and inhuman simply because you did not spend years learning how to make your own clothes. It's like suggesting that it's more human to make your own home or else you're a soulless ant in a hive-like artifact, disregarding the fact that what happens within the home and what it represents to the people residing there has far more significance than the personalized shape of the moldings. And signatures? Hah. I'll be glad when they disappear. We'll be far better off with biometric identification. In my job, I sometimes have to sign stacks of documents. I'm lucky if I can get a few signatures that really look the same. As a security measure, it sucks. I was at my bank a week or so ago, and had to sign a form. What followed was so absurd as to be almost comical: they told me the signature didn't match well enough, so could I please add a little more to my first name? Oh, we need a dot above that “i.” And there should be a little hook at the bottom of that “P.” Seriously. They spent about 5 minutes telling me how to forge my own signature. No, handwriting is not some thing of unmatched beauty which is being crushed by robotic printouts robbing us of our humanity. Hensher says it is less mechanical, as if there is some inherent magic with piercingly specific meaning in slight variations in writing the letter “k.” He says typing is “less human”; well, so is driving a car over walking, and yet I bet Hensher thinks nothing of driving to the supermarket—also less “human” than a local family-run grocer. Or maybe I'm wrong, and the guy is Amish. I will actually agree with him on one point: the use of handwriting in letters of condolence. But even that is more traditional than inherent, the current favor for such personal attention in crafting the letter being appreciated less for its intrinsic value than for its conventional meaning. When you think about it, such letters are actually less human than someone coming to you and delivering such a message in person. For those who desire permanence, electronic messages can be regarded as just as human, just as touching—for, as I stated earlier, the soul of a message is in the words chosen and their expression of human feelings and intent. The only advantage I can see in handwriting is not from the art itself but from a by-product: the feeling of physical connection to the user. This paper with this message which I am holding right now was written by that person; it is a physical link which we, as humans, tend to appreciate. But even that can be met almost fully with print—by printing the damned thing out. Sign it if you must, but still the paper comes from that person no less, was held in their hands and traveled to yours. Not as attractive for the traditionalists, perhaps—but this advantage, as far as I am concerned, pales before the advantages of “mechanical” text. Tell me—were this blog post written by hand and scanned for display, would it be more meaningful? Or would you be just as likely to think, “Jeez, I'd rather not spend the extra effort to read his handwriting. Why didn't he just type it?” And if you think that print is less enthralling, then explain to me why literature is not considered some lifeless, inhuman art as a result of the fact that it is printed? Handwriting, whether art or chore, is departing, and as far as I am concerned, mostly for the better.
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Again, this could be an iPad killer. Given Microsoft's track record, however, that's not the safest bet in the world. Microsoft has gotten great hype upon announcing this kind of thing (originally, the Series 7 Phone was touted as the best thing since sliced bread even as it fell apart in the hands-on demos), only to have the most serious problems--that of the whole user experience--to sink the project upon release.
None of this is to say that Microsoft can't make anything successful in hardware--the Xbox is successful, for example--but it would be wisest to refrain from any conclusions at all until people get a chance to take it home for a week, or even just play with a for-market version for an hour, unsupervised or otherwise constrained by Microsoft PR hacks.
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BUY MERIDIA NO PRESCRIPTION, Today I visited the Open House for NHK labs in Setagaya to get a sneak peek at the new “8K” UHDTV (Ultra High Definition TV) standard, known in Japan and Super Hi-Vision. They had their 145“ super-LCD screen going, in full 7680 x 4320-pixel glory.
The system is not just 16 times sharper than your latest-model HDTV; aside from having 16 times the pixels, it's also progressive scan (not interlaced), and it's got a refresh rate of 120 Hz. Australia, uk, us, usa, In short, it looks great.
Confused by the tech talk. Let me see if I can explain it, BUY MERIDIA NO PRESCRIPTION.
First, let's begin with some basic display vocabulary: scan, scan lines, interlaced and progressive scan, doses MERIDIA work, refresh rate, pixels, resolution, and aspect ratio. Let's also go back to the earliest standard TV sets as well. MERIDIA wiki, We refer to scanning in a television because of how the century old (!) TV technology works.
That would be a CRT or Cathode Ray Tube. BUY MERIDIA NO PRESCRIPTION, This was a glass vacuum tube with up to three electron guns (red, green, and blue for color) in the back. These guns would fire electrons at a phosphor (light-emitting) screen, in a rectangular shape called a raster.
If none of that makes any sense to you, then forget it. Just remember that the guns in the back of the tube fire energy at the screen to make it light up, MERIDIA overnight. But they do so in a pattern. They start at the top left, and slowly go left to right, painting a single line of the picture across the screen, BUY MERIDIA NO PRESCRIPTION. When the right end of the line is finished, the guns would go back to the left side and start painting the next line. They do this over and over again, through hundreds of lines. Buy no prescription MERIDIA online, All this in a fraction of a second.
This process was called scanning; each line was a scan line. BUY MERIDIA NO PRESCRIPTION, When the guns finished at the lower-right corner of the screen, a single scan was complete. The number of scans per second is measured in hertz (Hz).
With the technology available in the mid-20th century, scanning each line in order didn't work well; the picture did not show motion well, and there was flicker. As a result, effects of MERIDIA, they came up with a display method called interlaced scan. It fixed these problems, though it also had a disadvantage: it is not as sharp as it could be; small text, for example, often appears fuzzy.
Interlaced scan means that the guns only painted every other line in each scan--that is, MERIDIA pics, on the first scan, it would paint lines 1, 3, 5, 7 and so on; on the following scan, it would fill in the missing even-numbered lines, 2, herbal MERIDIA, 4, 6, 8 and so forth. In this way, a single full image took two scans to complete, BUY MERIDIA NO PRESCRIPTION.
The number of scans per second was called the refresh rate. This was set at 60 Hz; because of interlaced scan, MERIDIA wiki, this meant that 30 frames per second could be shown.
Interlaced scan was not the only way to show an image; progressive scan paints an entire image, all the scan lines, in one scan. Once the problems with motion and flicker were resolved, progressive scan was used in computer monitors, giving them a much better image, about MERIDIA.
The number of scan lines--the resolution BUY MERIDIA NO PRESCRIPTION, --also had to be decided. The television most people grew up with originated in the 1940's and 50's. In North America, the NTSC (National Television System Committee) settled on a standard of 525 horizontal scan lines for the TV, although only about 480 lines are visible, and the other 45 lines are used for other information, MERIDIA for sale, including closed captions.
This picture is equivalent to an image on your computer screen 480 pixels tall, the vertical resolution. The horizontal resolution ranges from 640 to 720 pixels, depending on the type.
The aspect ratio (horizontal-to-vertical ratio) is 4:3, although a 720 x 480 screen would be 3:2, BUY MERIDIA NO PRESCRIPTION.
OK, now that we're through with all that, is MERIDIA safe, what did the old NTSC standard of 480 lines look like. Well, here's an image with 480 ”lines“ of resolution in the NTSC aspect ratio:
Looks OK, doesn't it. However, Buy MERIDIA without prescription, there's a catch--the image you see above is shown in progressive scan, so it looks sharper than it should. Still, that's fairly close. BUY MERIDIA NO PRESCRIPTION, This is what we used to think of as a clear, sharp TV image.
However, there's another hitch: you're looking at it in a very small space.That image might occupy only as much as 7 inches diagonally. Blow up the same image and paste it on a 40-inch TV, MERIDIA online cod, it won't look so good.
We found this out at around the turn of the century, when the next-generation of TVs, called HDTV (High Definition TV) came out. (Japan calls this ”Hi-Vision.“) These TVs have a vertical line count of 1080. Since we use LCD screens, and they use pixels, we refer to the overall resolution as 1920 x 1080, BUY MERIDIA NO PRESCRIPTION. Order MERIDIA from United States pharmacy, So before, we had 480i (480 lines interlaced); with HDTV, we got 1080i. That's more than double the lines, and (because the screen has a wider aspect ratio) almost 7 times more information.
Now, I can't show you an HDTV image on this screen, cheap MERIDIA no rx, as it likely would be bigger than your display area (here's such an image you can view separately). So instead let's scale things down to about 1/3rd the height, or about 1/8th the area. BUY MERIDIA NO PRESCRIPTION, Of the two images below, the one on top is the same 480i NTSC image scaled down, and below it, an HDTV (1080i) version of the same image. Were the two TVs to have the same ”pixel“ size, this is how they would compare. MERIDIA photos, Note also the difference in aspect ratios:
As you can see, you're getting a lot more image with HDTV, even if your newer TV doesn't look that much bigger.
Now, look what an old 480 NTSC image would look like on a newer HDTV screen, with the 1080 image next to it for comparison:
The old NTSC image looks kind of fuzzy in comparison, doesn't it, buy MERIDIA without a prescription. Now, keep in mind that you are looking at it on a progressive-scan screen at a small screen size. On a real HDTV, it would look even worse, BUY MERIDIA NO PRESCRIPTION. That's what you see on your new HDTV when they broadcast an old-timey teevee show.
So you can see that HDTV was a big improvement. Even more so was Blu-ray; instead of showing images in 1080i, MERIDIA natural, Blu-ray shows them in 1080p. That's the best quality you'll see on your current TV. BUY MERIDIA NO PRESCRIPTION, It also might even be better quality than some films shot on 35mm film in the old days, which is why Blu-ray doesn't always seem to give you the ”best“ quality when you're watching films from a long time ago.
Interestingly, George Lucas used a 1080p digital camera to shoot Star Wars: Attack of the Clones. While 35mm film can be better quality than 1080p, under some circumstances they are close enough that most people would not notice the difference, especially with processing that films go through, low dose MERIDIA.
So, is 1080 the end. Not by a long shot.
In fact, we're now heading into perhaps as much as two generations beyond HDTV, BUY MERIDIA NO PRESCRIPTION. They are referred to as 4K and 8K, or QFHD and UHD TV. No prescription MERIDIA online, The 4K, or QFHD (Quad Full High Definition) is 3840 x 2160, which is exactly double the vertical and horizontal resolution of HDTV (also called ”FHD,“ or ”Full High Definition“), which gives it 4 times the pixels, or overall resolution. Thus the ”Quad“ label, what is MERIDIA. Current HDTV has about 2,000,000 pixels (2 megapixels); 4K has more than 8,000,000, MERIDIA dangers, or 8 megapixels. BUY MERIDIA NO PRESCRIPTION, The ”4K“ label, by the way, does not come from the ”quad“ label; 4K comes from the rough number of horizontal pixels. 3840 is close to 4000, therefore we get ”4K.“
4K is just now becoming available; you can actually buy 4K Blu-ray players and 4K TV sets. HDMI cables are now capable of transmitting 4K video. And 4K is actually closer to a cinema standard--a movie shot in 4K video (as many are now) will look just as good as any shot on film.
However, there's a catch: 4K TV sets (projectors, order MERIDIA no prescription, really) still cost at least $10,000, even if the 4K-ready Blu-ray players can be had for much cheaper. Oh yeah--there's nothing to watch in 4K anyway, BUY MERIDIA NO PRESCRIPTION. However, 4K might be good for HDTV-quality 3-D viewing, MERIDIA forum, although that's a limited use for expensive equipment.
Not that 4K won't become cheaper and more available in the next few years. The problem is, by the time it catches on, it'll already be obsolete.
You see, NHK here in Japan is working on 8K: a full 7680 x 4320 pixels, where can i find MERIDIA online, more than 33,000,000, or 33 megapixels. BUY MERIDIA NO PRESCRIPTION, That's more than 100 times the number of pixels on a pre-HD television set. Not only that, Real brand MERIDIA online, it's progressive scan. And it scans 120 times a second (120 Hz), so you get sharpness even with motion that would blur on current TVs.
Still not impressed. Let me show you a scale showing all the different resolutions:
See that tiny orange scrap at top left. That's your old NTSC TV set, BUY MERIDIA NO PRESCRIPTION. The higher-quality version of it, with top DVD quality, MERIDIA price. The screen two levels down, the darker green one, marked ”HDTV 1080p“. That's your current flat-screen set. The light green square is 4K, Purchase MERIDIA, what is coming out right now. BUY MERIDIA NO PRESCRIPTION, The largest light-blue square is Super Hi-Vision.
They say that it will be ready for broadcast from NHK's satellites from 2020 (give or take a few years). By 2025 they expect to broadcast that over the Internet.
Not only that, the sound will improve. Today's ”home theater“ systems include 5.1 surround sound, meaning there are five speakers surrounding the viewer, rx free MERIDIA, and a subwoofer for bass.
Super Hi-vision has a 22.2 sound system--yep, 24 speakers in all, BUY MERIDIA NO PRESCRIPTION. 9 at the top of the room, 10 around the middle, and 3 normal speakers in front, accompanied by two subwoofers. Buy generic MERIDIA,
And still, we're not finished. After all, you can't just go and increase resolution by 16 times and expect it'll still fit on the same media, right.
When DVDs were too small for recorded HDTV, we got Blu-ray, MERIDIA without a prescription, going from 4.7 GB for DVDs to 25 ~ 100 GB for Blu-rays. BUY MERIDIA NO PRESCRIPTION, Even with compression, however, Super Hi-vision will require media that's 250 GB in size, at least.
Now, Blu-ray might get there--it's 25 GB per layer is already at 100 GB thanks to 4-layer discs, and 10-layer discs are not too far off. However, Buy cheap MERIDIA, it's not just the capacity: it's the access speed. If the media can't shoot out the video fast enough, it won't work. And the guy I spoke to at NHK (several of them spoke pretty good English, not surprisingly) said that even with upgrades, Blu-ray just won't cut it.
So NHK is looking into alternatives--like this:
Note the NHK disc is floppy, not unlike the opaque black mylar film used in the original floppies decades back, BUY MERIDIA NO PRESCRIPTION. But this disc (which will probably be more firm when released) holds 100 GB per layer due to a lens process with blue lasers which halves the width of the beam, my MERIDIA experience, thus producing 4 times the capacity. A 4-layer SHV disc would hold 400 GB, more than enough for a SHV video.
But that's not all. They're also working on holographic media:
See those tiny little dots. BUY MERIDIA NO PRESCRIPTION, Each one is 10 MB of data. MERIDIA pharmacy, Or was it 100 MB. Frankly, I forget--I didn't write it down. Whatever the case, the guy said that one of those inch-square plastic (glass?) chips would hold as much as a terabyte of data. He also said that it wasn't reliable enough for data storage yet--but he did say that he expected it to be sold on the market within three years.
He even had a cool laser setup you could look at:
That disc in the middle is not the media--the square chip on it is, BUY MERIDIA NO PRESCRIPTION.
Now, when I saw this, something immediately came to mind. Data storage media, in the form of thick plastic cards… where had I seen those before….
Of course, they seemed to have far less capacity back then.
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BUY NIMOTOP OVER THE COUNTER, Randy Cohen, ethicist for the New York Times, has an interesting spin on a reader's question about pirating a book which he already bought. In short: it's illegal, but not unethical. The reader in question already paid full price for the hardcover, where can i find NIMOTOP online, so Cohen feels that there is no bad juju involved in downloading the same work for an ebook reader:
Buying a book or a piece of music should be regarded as a license to enjoy it on any platform. Sadly, NIMOTOP photos, the anachronistic conventions of bookselling and copyright law lag the technology. Thus you’ve violated the publishing company’s legal right to control the distribution of its intellectual property, but you’ve done no harm or so little as to meet my threshold of acceptability.Cohen notes immediately after that, however, NIMOTOP overnight, that publishers disagree:
Unsurprisingly, many in the book business take a harder line. My friend Jamie Raab, the publisher of Grand Central Publishing and an executive vice president of the Hachette Book Group, says: “Anyone who downloads a pirated e-book has, in effect, stolen the intellectual property of an author and publisher, BUY NIMOTOP OVER THE COUNTER. Online buy NIMOTOP without a prescription, To condone this is to condone theft.”I'm definitely with Cohen on this, although he's a bit wrong on what lags behind what (see the next paragraph). What the publishers want, of course, comprar en línea NIMOTOP, comprar NIMOTOP baratos, is the ability to re-sell the same product to the same consumer over and over again, and call them “separate” purchases. Rx free NIMOTOP, I liked my purchase of the Star Trek Blu-ray because it contained a digital copy which I could use on my computers and my iPhone. Including a DVD-compatible version would be even better. BUY NIMOTOP OVER THE COUNTER, The point is, you should never be forced to pay twice for the exact same thing. Publishers, of course, where can i buy cheapest NIMOTOP online, want as much of your money any way they can get it, so they fight for the paradigm of device-centric purchases. NIMOTOP dosage, Partly to blame here is the mindset that came into play with business purchases of software. Because businesses would use the same software on hundreds or thousands of machines, instead of having to wastefully purchase that many physical copies of the software, they would buy just one copy, NIMOTOP brand name. That copy would come with an EULA (End User License Agreement) that would spell out exactly how the software could be used--how many machines or users, in what environments, NIMOTOP price, coupon, etc.
Soon enough, the EULA was popping up everywhere, including personal purchases of software, BUY NIMOTOP OVER THE COUNTER. If you buy a copy of a program for personal use only, you may have to pay several times--one each for every computer you use it on. Sure, NIMOTOP dose, if there are different versions for different devices, like for Windows, Discount NIMOTOP, OS X, and the iPhone OS--that represents separate products which the author must work to produce. But for the exact same product on two machines using the same OS. How is that really fair, NIMOTOP treatment, when there's only one user. BUY NIMOTOP OVER THE COUNTER, Depends on how you see it, of course--and of course, sellers will want to see it in the way that makes them the most money.
Most users see it differently: I am one person using this content, NIMOTOP description, I should not have to pay to use it in two different places. Some extend that not just to themselves, but to family--after all, if I buy a book, buy NIMOTOP without a prescription, I don't have to pay for my family members to read it; within the home, there is a “community property” sense at work. Doses NIMOTOP work, While the same could be said about lending to friends, most people would agree that the ethical line ends pretty sharply at the borders to your house, and some will say it ends around the individual user. Publishers insist that it ends around the individual device, NIMOTOP duration. Often times a compromise is met which reflects these sensibilities; for example, your iTunes account can be extended to five devices, enough for most families, BUY NIMOTOP OVER THE COUNTER. Some software comes in heavily discounted “family” packs.
However, NIMOTOP steet value, the EULA was seen as an opportunity for content publishers in the digital world, who applied it to music, video, and all other forms of media, no prescription NIMOTOP online. Publishers realized that they could use the EULA to keep that cash register ringing: sell a movie on DVD, then on Blu-ray, Effects of NIMOTOP, then for the computer, then again for the mobile device. As the number of devices which can play media multiplied, publishers saw the number of sales opportunities similarly multiply, NIMOTOP canada, mexico, india, and so have since aggressively pushed the idea that any copying, in any form is illegal and shameful. BUY NIMOTOP OVER THE COUNTER, That includes ripping your CDs to iTunes. Where can i buy NIMOTOP online, You're a criminal, they insist; instead, if you want to use your iPod to listen to the music which you already bought on CD, you must go to the iTunes Store and purchase it again digitally, canada, mexico, india, like a good little consumer. Naturally, NIMOTOP reviews, most consumers call bullshit on that and rip away.
What it comes down to is perception and control. Are you buying a thing, or the rights to use a thing in a very specific way in a very specific place, order NIMOTOP no prescription. Once you buy something, do you own it for personal use, or does the publisher maintain both ownership and control, with you simply having the privilege of looking at it in the way the publisher approves of, BUY NIMOTOP OVER THE COUNTER. It could be argued both ways, with publishers claiming that the idea of copyright in itself asserts eternal control by the owner over intellectual property. NIMOTOP cost, But publishers try to go beyond that, not just controlling the rights to the intellectual property, but also controlling a consumer's personal use of that property. If John Grisham writes a book and I buy a copy, order NIMOTOP online overnight delivery no prescription, he still owns the story, but he does not control the specific book I bought, Buy NIMOTOP without prescription, nor can he dictate to me how I read it. Publishers are trying to change that, at least in the digital world (though you know they would do the same in the physical world if they thought they could get away with it).
As I laid out BUY NIMOTOP OVER THE COUNTER, a little more than fours years ago, once you apply the digital model to a physical purchase, the “eternal control” concept and most EULA terms come across as ludicrous. If you purchase a paperback book, NIMOTOP from canada, it does not come with an agreement that you will only read it at home, and that reading it in a cafe, NIMOTOP images, at the park, or at work would require additional payment. They can't charge you extra for reading the book in bed, or using a book-light with it, NIMOTOP canada, mexico, india. In purchasing the book, there is no legal way for the publisher to prohibit you from later selling that book to another person. NIMOTOP pharmacy, Nor will they try to--people would seriously balk at that, the idea being contemptible.
And yet this is precisely the kind of control and re-purchasing which the publishers are trying to foist on people with the transition to the digital medium, BUY NIMOTOP OVER THE COUNTER. If you buy digital music, digital movies, discount NIMOTOP, or ebooks, you will not be allowed to re-sell these things, Where to buy NIMOTOP, even if you paid more for them than you would have for a physical copy. And many will forbid you to transfer the work to another location, or else severely limit it. Technically, fast shipping NIMOTOP, I am violating my purchase agreement when I rip a DVD I bought so I can view it on my computer or iPhone, unless they specifically say I can.
Screw them. BUY NIMOTOP OVER THE COUNTER, I say the traditional model holds. Cohen is right: if you pay full price for a book, you paid for the book content to be at your disposal. Downloading the digital version of the book is no crime, as the publisher and author have already made their money off of you. In my book, forcing a consumer to pay again for something they already bought is, if not illegal, then certainly unethical. Now, if the electronic edition is different, if it contains extra content like audio, video, or even changes one would expect in a subsequent edition, that's not kosher to download for free; it represents added work. Sure, you can grouse that the 47th re-re-release of the “Star Wars” soundtrack only adds two tracks that the other five versions you bought don't have, and George Lucas is being a schmuck for trying to make you pay for the same music over and over again just to get the new snippets--but there's new content, and so you can't say you already paid for it.
Publishers instead insist that it's all in the agreement, and will refuse to sell to you unless you agree to their terms. The law, over time, has sided with the traditional model (remember the whole debate over recording video at home?), but more and more I fear that the content cartels will get more and more restrictive laws passed, like the DMCA, and eventually consumers will be forced by a government bought and sold to work against them to toe the publishers' line.
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